Brève description / annotation

Notes on the Contributors Sarah Hatchuel and Nathalie Vienne-Guerrin - Preface Samuel Crowl - Hamlet on Film at Mid-Century and Fin de Siècle: Olivier and Branagh Bernice W. Kliman - Hallmark Hall of Fame: Three Go's at Hamlet (1953, 1970, 2000) Dominique Goy-Blanquet - The Country Matters in Kozintsev's Elsinore Jacek Fabiszak - To Cut or Not to Cut? What's in the Written Text of Filmed Hamlets Russell Jackson - The Gaps in Gertrude: Interpretations of the Role in Five Feature Films Patricia Lennox - Joseph Papp and Diane Venora Rehearsing Hamlet Victoria Bladen - The Ghost and the Skull: Rupturing Borders between the Living and the Dead in Filmed Hamlets Pierre Kapitaniak - Hamlet's Ghost on Screen: The Paradox of the Seventh Art Mark Thornton Burnett - Hamlet and World Cinema: A Paradigmatic Instance Anne-Marie Costantini-Cornède - Akira Kurosawa's The Bad Sleep Well (1960) and Aki Kaurismäki's Hamlet Goes Business (1987): Film Noir or Neo-Noir Modern Hamlets, or Genre as an Ideological Signifier Douglas Lanier - Nouveau Noir: Claude Chabrol's Ophélia, Shakespeare's Hamlet, and the Nouvelle Vague Sarah Hatchuel, Nathalie Vienne-Guerrin - "I've been killed, but I'm not dead": Remains of Hamlet in the French telefilm L'Embrumé (1980) Frédéric Delord - André Téchiné's "Shakespearean Trilogy" Gaëlle Ginestet - Une femme douce by Robert Bresson: Hamlet or Anti-Cinematography Courtney Lehmann - 2B or not 2B: The Elect(ed) and the Damned in Hamlet 2 Sylvaine Bataille - "Hamlet on Harleys": Sons of Anarchy's Appropriation of Hamlet Mariangela Tempera - "Not to Be": Referencing the Rest of Hamlet on Screen José Ramón Diaz Fernandez - Hamlet on Screen: An Annotated Filmo-Bibliography

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